A new radiopiece made by Palestinian soundartist Dirar Kalash in the Worm studio, february/march 2024
“underneath the rubble my hand became a will”

This piece is made up entirely from sounds collected from Palestine, and is composed from different field recordings : protests, nature, markets, city streets, and from different locations across Palestine. Those sounds were then heavily processed and composed, as an analogical approach to the political realities of Palestine, and the spatial and temporal transformation of both the land and the people —their movements, their lives, and their deaths.

Dirar Kalash (b. 1982) is a musician and sound artist whose work spans a wide range of musical and sonic practices within a variety of instrumental, compositional and improvisational contexts. Kalash also extends his practice into inter-disciplinary theoretical research. He has produced several solo and collaborative music albums and is active as an improvising musician.

Chaque mercredi *Duuu diffuse une émission inédite réalisée par l’une des radios du réseau Radia, groupe international informel de radios libres. Radia se veut un espace de réflexion sur la radio et la création radiophonique d’aujourd’hui.
Cette semaine *Duuu diffuse My Complex Me And Brain par Lieuwe Zelle pour Radio Worm.

Lieuwe Zelle (they/them)
06/03/1956, The Hague

Originally a toy salesman working in a toyshop technical toys like model-railroad trains and stuff and plastic
model kits and so on. In that time you had to have a diploma to sell toys or to be a shop-manager.
Besides that I played drums in ‘Hard Rock band’. Later-on in life I found that playing music and working in a toyshop was not enough to support my family.
Due to my family history -I am related to Mata Hari whose real name was Margaretha Geertruida Zelle (Leeuwarden, 7 augustus 1876 – Vincennes, 15 oktober 1917) sometimes I would be her or even have a relation with her across time and gender.

SHADOWSIDE OF SOUND
A radiopiece by Coolhaven
SHADOWSIDE OF SOUND is an ongoing project, dedicated to works by Rotterdam composers, known and unknown, who have fallen into oblivion. Progressive or conservative. Fairly or unfairly; that will determine history. As you know, there are various points of view regarding whether or not acceptance is there. In general, it can be assumed that the circuit must have the power to handle the work. The other view is a chimera of the one who gives himself a stunning victory before playing time is up.

In this radiopiece, especially constructed for the Radia Network, we focus on Julie Bruins Rampart. Coolhaven was already deeply involved in her work when they discovered the existence of her twins, Sybille and Plasma, who never really ‘met ‘her mother (after they were born that is) and were raised in Devon, UK. Coolhaven went there to interview the twins. The radiopiece exists of the interview and some of Rampart’s re-interpreted works by Coolhaven.

Julie Bruins Rampart (1922-2005) In her free evening hours, Julie Bruins Rampart composed lustily. Initially, her favorite instrument was the great Baroque flute. We see this instrument in most of her compositions. This changed later when she discovered the possibilities of the electric guitar-sound.Sometimes solo, but often in combination with other instrumentation. What makes Bruins Rampart’s work attractive are the often complex gesticular additions that her works contain. She often stages the performers in a tableau vivant and does not shy away from acting unorthodox. Her work was dismissed as amateurish, a-musical and immoral. Bruins Rampart was active in the VSSM (Study Group Sadomasochism Association) in Rotterdam. The VSSM regularly organizes game meetings. Bruins Rampart strived for inclusiveness. Her series of compositions seem to be based on various agreements and putting them into practice; the so-called “play”. In that sense, her works could be interpreted as politically emancipatory erotic pamphlets. Bruins Rampart came from the PvdA circles that believed in the makeable world at the time. Moralistic, socially critical and also formative.

Interviewers : Coolhaven
Sybille & Plasma Guy ; Lucinda & Catherine
Interview recorded by Soundart Radio, thanks to Chris Booth.
Music : Julie Bruins Rampart, played by Coolhaven
This is a Worm/Klangendum production

Une émission proposée par Radio WORM pour le réseau Radia.fm.

Three crawlers decided to meet at one point a little bit longer. With Worm as their temporary residence, a continuous cycle took place where sounds
were made, regurgitated and eventually brought to the surface.

Hessel Veldman (NL), Kamilė Rimkutė (LT) and Ruben Verkuylen (NL) differ widely in their musical practices and experiences, but find kinship in
their appreciation of sound as soil for life. At the end of their sojourn, they performed their collection of sounds at Worm and showed their Wurm.

In this production at WORM they found the worm (“wurm’) inside the building, the organisation, in space, in the city, in the universe, in their afterlife, underground and in their friends. During the production days they build short and long fragments of soundbites, by creating several improvisation-settings and used real-time recording for building a sound archive. They mangled and cleaned up the recording results and modulated and arranged them during the final presentation on Sunday May 29 in WORM, Rotterdam; live and for Radio WORM.

Hessel Veldman (Y Create, Forbidden Photographs, FNTC). Hessel is a composer, musician and radio-producer in the electro-acoustic field.
Watch: Y Create Forbidden Photographs @ Headroom, OT301.

Ruben Verkuylen Ruben is devoted to sound through a mixed practice of DJ’ing, producing and running two music labels (BAKK and Rubber). Ruben is also an independent graphic designer in the creative industry and co-runs cinema platform WYSIWYG (What You See Is What You Get).

Kamile Rimkute aka Caline With C. Kamile graduated from Master’s degree in Sonology at the Royal Conservatory in the Hague, where she created interactive sound installations and did mixing classes, but most of the things she learned through working with sound in her own studio. She does live sound for electronic bands/artists occasionally. And she also does mastering (cd, vinyl, cassette) work.
Watch: Caline with C live for Pinkman District.

Une émission proposée par Radio WORM pour le réseau Radia.fm.

Composers/musicians in residence:
Kamilė Rimkutė
Ruben Verkuylen
Hessel Veldman

Contributing composers/musicians:
Tisa Neza Herlec
Hugo Lioret
Puck Schot / Acidic Male
Thomas Dudckewicz
Marianna Muruyama

Sound Bites by Saskia McCracken from her short story Sister/Worm.

Also an unknown/unpublished track by Enno Velthuys is wrapped in the WurM.