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16.09.23
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Tip of the Tongue
Soirée de lectures et de performances proposée par Zoé Couppé

Avec :
Inès Bezad
Zoé Couppé
Ioli Kavakou
Guilhem Prat
Matthieu Fuentes
Aki Yamouridis

Il y a toujours plus à entendre dans les replis, quand la voix baisse et qu’il faut tendre l’oreille. De la performance à la musique, de la parole au chant, du murmure au cri, qu’est-ce que nos voix racontent ?
L’intention est de créer une soirée autour de la voix et de la dimension orale du texte. Quel est le désir de la voix ?
Chaque artiste est invité.e à habiter l’espace extérieur et les ondes de *Duuu radio le temps d’une soirée.

Avec le soutien de la Direction régionale des affaires culturelles d’Île-de-France – Ministère de la Culture

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18.07.19
A Conversation with Athens : Panos Papadopoulos
Eric Stephany, hd.kepler.
45'13"
A conversation with (1)
A conversation with (1)
18.07.19
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on May, Tuesday 14, 2019 at 7.30 pm
at Καφενειο « H Mουριά », Charilaou Trikoupi 87, Athina

In the spirit of La Bohème and following the tradition of Kafeneio talks, A Conversation with Athens is an intend to organize a new series of meetings gathering voices of the local art scene in Athens.

The conversations are held in English and host by Florent Frizet & Eric Stephany, two french artists currently living in Athens.

Panos Papadopoulos
Panos Papadopoulos is a greek artist born in 1975, currently working and living in Athens. In 2015, he was a resident at Hooper Projects art residency, Los Angeles. He is the co-founder of the art collective Dadada Academy, founded in 2009 in Vienna. He studied in the School of Fine Arts in Vienna and was awarded by the Meisterschülerpreis of the Academy. His work was presented in the 4th Athens Biennale in 2013 and in numerous solo and group shows in Vienna, Athens, Paris, Berlin, New York, Leipzig, Cologne and elsewhere.

Panos Papadopoulos work is a mixture of conceptual, minimal, abstract and expressionist art. Departing from his earlier works – text-populated, noisy, post punk abstract oil paintings -, Papadopoulos here allows space to emerge, creating interiors and replacing the text with objects; yet the objects still hold on to their linguistic potency, ofter acting as symbols of language. It is the empty space, the sound of silence that adds tension to these objects. Basically, he turns drawings into paintings, leaving the viewer with the impression of the absent, the incomplete, the unfinished.