La matinale dédiée à l’actualité de la création contemporaine, tous les mercredis de 9:15 à 10:00 en direct sur *Duuu Radio.
Avec ce mois-ci : Justin Morin, Pascal Montfort et Julie Duval (accompagnée Juliette Bayi).
Cold, cold weather is back
Are you still using a computer
Do you still use a cell phone
Do you still listen to mp3’s
Tracklist :
– Six Organs of Admittance - III (Goatflower, Self released, 2008)
– Steve Gunn - Trances (Human Condition 7 Trances, Medusa Editions, 2011)
– Sun City Girl - Esoterica of Abyssynia (Torch of the Mystics, Majora, 1990)
– Marion Cousin & Kaumwald - Griselda (Tu rabo par’abanico, Le Saule, 2020)
– Pacha - L’aéroport de Charlo (Afffaires Etrangères - Musique Fragile 02, Constellation, 2012)
– Lalalar - Isyanlar (Isynalar, les Disques Bongo Joe, 2019)
– Camilla Sparksss - Are You Ok? (Brutal, On the Camper, 2019)
– Mica Levi - Outro (Blue Alibi, self released, 2021)
– Circle - Luikertelevat Lahoavat (Forest, No Quarter, 2004)
– Akron/Family - Silly Bears ( S/T II: The Cosmic Birth and Journey of Shinju TNT, Dead Oceans, 2011)
– The Ex - Cold Weather is Back (Catch My Shoe, Ex records, 2010)
– Agathe Max - Black Needle (The Silver String, Xeric, 2008)
Une émission proposée par Gaëtan Seguin / three:four records.
Slowly the door opens, you stand for a while,
See if I’m asleep or just closing my eyes.
I quickly get up and throw my pillows,
Throw an ashtray filled with butts.
Tracklist :
– Baltimore, Nina Simone (“Baltimore”, 1978)
– Somebody Up There Likes Me – alt early previously unreleased mix; David Bowie (1974 - “Gouster Sessions”, 2015)
– Fennario, Michael Chapman (“Wrecked Again”, 1971)
– If You And I Could Be As Two, Them (“The Story Of Them Featuring Van Morrison (The Anthology 1964-1966)”, 1997)
– Drip Drop, Dion (“Bronx Blues: The Columbia Recordings (1962-1965)”, 1991)
– God (Elements Mix), John Lennon / Plastic Ono Band (“The Elements Mixes” in “John Lennon / Plastic Ono Band” boxset, 2021)
– Why She’s Acting This Way, Townes Van Zandt (“Our Mountain The Mountain”, 1969)
– Suzanne, Randy Newman (“12 Songs”, 1970)
– What a Bastard the World Is, Yoko Ono (“Approximately Infinite Universe”, 1973)
– If You’ve Got It, Flaunt It (Part 1), Ramsey Lewis Trio (“Another Voyage”, 1969)
– The Chill of Death, Charles Mingus (“Let My Children Hear Music”, 1972)
– Harmony for Two or More Voices II, Vilhelm Bromander, Fredrik Rasten (“… For Some Reason That Escapes Us”, 2019)
– Adagio - Hirtengesang, Stefan Fraunberger (“Quellgeister#3 - Bussd”, 2019)
– Search For The Underwater Town, Hamilton Yarns (“Search For The Underwater Town - Future Man”, 2007)
– At Night, Peter Gabriel (“Birdy”, 1985)
– The Beautiful Ones, Prince And The Revolution (“Purple Rain”, 1984)
Une émission proposée par Maxime Guitton / three:four records
*Down
Repeat
Down
Up.
Tracklist :
– The Ensemble Chord In C What A Major 7th And A Guitar Base, Duane Pitre/Pilotram Ensemble (Organized Pitches Occurring In Time, Important records)
– Empty Building, Ellen Fullman & Konrad Sprenger (Ort, Choose records)
– 6:56, Arnold Dreyblatt ant the Orchestra of Excited Strings (Nodal Excitation, India Navigation)
– Levitation, Barn Owl and the Infinite Strings Ensemble (The Headlands, Important records)
– One Large Rose, Phill Niblock (Touch Strings, Touch)
Une émission proposée par Gaëtan Seguin / three:four records.
If your orange hair vibrating in the sea life
And your shark skin reflects in constant blue light
Now you see things that were hidden from your eyes
Now we taste salt the way it tasted as a child
Tracklist :
– 3/4hadbeeneliminated, Untitled (Oblivion, Die Schachtel, 2010)
– Riccardo Dillon Wanke, Dust (Cuts, three:four records, 2014)
– Oren Ambarchi, Salt (Audience of One, Touch, 2012)
– The Telescopes, Flying / Transmutations / A Cabin in the Sky (Auditory Illusions, Double Agent, 2006)
– Neptune, Dark Report (msg rcvd, Northern Spy, 2012)
– Belfi / Grubbs / Pilia, City Rats on a Mountain Pass (Onrushing Cloud, Blue Chopsticks, 2010)
– Julian Sartorius & Mago Flueck & Beat Unternährer & Reto Mäder & Rhys Chatham, Scrying In Smoke (The Bern Project, Hinterzimmer, 2010)
– Schnellertollermeier, Animate Become (5, Cuneiform records, 2020)
Une émission proposée par Gaëtan Seguin / three:four records.
Oh! Rimembranza!
Io fui così rapita
Al sol mirarlo in volto!
Tracklist :
– Sibil-la Catalane (ouverture), Montserrat Figueras, La Capella Reial de Catalunya, Jordi Savall (« El Cant de la Sibil-la, Catalunya »)
– Erschienen ist der herrliche Tag, BWV 629, Bach / Wolfgang Zerer (« Bach: Orgelbuchlein, BWV 599-644 »)
– Funeral Sentences for the death of Queen Mary II, Z. 27: II. Man That Is Born, Purcell / John Eliot Gardiner (« Purcell Edition Volume 3: Odes, Anthems & Ceremonial Music »)
– Gloria, R.589 – Et in terra pax hominibus, Vivaldi / The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner (« Vivaldi: Gloria / Handel: Dixit Dominus »)
– Bach: St. Matthew Passion, BWV 244, Pt. 2: No. 65, Aria “Mache dich, mein Herze, rein” (Bass), Bach / Otto Klemperer, Philharmonia Choir, Philharmonia Orchestra
(« Bach: St. Matthew Passion »)
– Nisi Dominus: IV. Cum dederit dilectis suis somnum. Largo, Vivaldi / Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer (« Nisi Dominus / Motets / String
Concertos / Salve Regina »)
– in III. nocturno: Resp. ix - Caligaverunt oculi mei (Voice), Gesualdo / Andrew Parrott, Taverner Consort & Choir (« Gesualdo: Tenebrae Responses for Good Friday (Responsoria, 1611) »)
– Erbarm dich mein o Herre Gott, BWV 721, Bach / Fernando Germani (« L’ Albero degli zoccoli (Colonna Sonora Originale) »)
– Lob sei dem allmachtigen Gott, BWV 704, Bach / Bine Katrine Bryndorf (« Bach: Weimar, Kothen and Leipzig (Organ Works) »)
– Webern: Fuga A 6 Voci From Bach’s Musical Offering, BWV 1079, Bach - Webern / Christoph Poppen, Munich Chamber Orchestra, Hilliard Ensemble (« Bach/Webern: Ricercar »)
– Johann Sebastian Bach: Mass in b minor, BWV233 — Agnus Dei, Bach / Alfred Deller, Leonhardt Baroque Ensemble & Gustav Leonhardt (« Deller Vol. 4; Handel, Bach & The English Renaissance »)
– J.S. Bach: St. John Passion, BWV 245 / Part One - No.1 Chorus: “Herr, unser Herrscher”, Bach / The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner, (« Archiv Produktion - John Eliot Gardiner: Easter »)
– Bist du bei mir BWV 508, Bach / Elisabeth Schwarzkopf, Gerald Moore (« Lieder Recital »)
– Act 1: “Oh! rimembranza!”, (Norma, Adalgisa), Bellini / Maria Callas, Ebe Stignani, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Dino Olivieri, (« Vincenzo Bellini: Norma (1954 - Serafin) - Callas Remastered »)
– Act 3 - “Mario Cavaradossi?” - “A voi”, Puccini / Bryan Secombe, Placido Domingo, Philharmonia Orchestra, Giuseppe Sinopoli (« Puccini : Tosca »)
– Act I : La, sui monti dell’est, Puccini / Callas, Schwarzkopf, Fernandi, Serafin (« Puccini : Turandot »)
– Act I : Non piangere, Liu !, Puccini / Callas, Schwarzkopf, Fernandi, Serafin (« Puccini : Turandot »)
– N°2 Choral: Allein Gott in der Hoeh’ sei Ehr, Mendelssohn – Bartholdy / Philippe Herreweghe (« Mendelssohn: Paulus / Philippe Herreweghe »)
– Bénis le Seigneur, ô mon âme (mode grec), Rachmaninov / Valeri Polyansky, The USSR Ministry of Culture Chamber Choir (« Rachmaninov : Vêpres, Op.37 »)
– Wandrers Nachtlied II D768 (1994 Remastered Version), Schubert / Hans Hotter, Gerald Moore (« Icon: Hans Hotter »)
– Mignon III – So lat mich scheinen, Wolf / Michael Raucheisen, Elisabeth Schwarzkopf (« Elisabeth Schwarzkopf Interprets Songs by Wolf, Schubert, Strauss, Purcell, Arne & Quilter »)
– String Sextet No. 1 in B-Flat Major, Op. 18: II. Andante ma moderato, Brahms / Isaac Stern, Alexander Schneider, Milton Katims, Milton Thomas, Pablo Casals, Madeline Foley, Johannes Brahms (« Brahms: String Sextet in B-Flat Major, Op. 18 & Piano Trio No. 1 in B Major, Op. 8 »)
– Litanei auf das Fest Allerseelen, D.343 (2004 Remastered Version), Schubert / Elisabeth Schwarzkopf, Gerald Moore (« Schubert: Lieder »)
– Rachmaninov: How Beautiful It Is Here, Op. 21/7, Rachmaninov / Elisabeth Söderström, Vladimir Ashkenazy (« Rachmaninov: Songs »)
– No. 10 La Cathédrale engloutie (Préludes for piano, Book I, L. 125 (117)). Profondément calme, Debussy / Claude Debussy (« Debussy par Debussy »)
– Une barque sur l’océan – Miroirs M. 43 III, Ravel / Marcelle Meyer (« Ravel: The Complete Piano Works »)
– Préludes, Book 1, L. 117 No. 6, Des pas sur la neige, Debussy / Marcelle Meyer (« Chabrier: Piano Works / Debussy: Préludes »)
Une proposition de Maxime Guitton / three:four records.
I am tired, I am weary
I could sleep for a thousand years
A thousand dreams that would awake me
Different colors made of tears.
Tracklist :
– Na Festa, Sourdure (De mòrt viva, 2021)
– gsm II, Loup Uberto (Racconto Artigiano, three:four, 2020)
– Lit, Joanne Robertson (The Lighter, Textile Records, 2008)
– The Good Life, Charalambides (Likeness, Kranky, 2007)
– Canned Happiness, MV & EE With The Bummer Road (Green Blues, Ecstatic Peace!, 2006)
– Wazan Doueh, Group Doueh (Zayna Jumma, Sublime Frequencies, 2011)
– Alice, Alice (Alice Partout, Ripopée, 2020)
– Grönstorp, Naimi (Der är jag som bestämmer inte du., Not On Label, 2006)
– Shadow, Jessica Bailiff & Annelies Monseré (Untitled EP, Morc Tapes, 2008)
– Skullsplitter, Eric Chenaux (Skullsplitter, Constellation, 2015)
– Alors Marche, Meril Wubslin (Alors quoi, Les disques Bongo Joe, 2021)
– Gravity Wake, Mind Over Mirrors (Undying Color, Paradise Of Bachelors, 2017)
– Venus In Furs, The Velvet Underground (Live at the Matrix, November 26 & 27, 1969, Ume, 2014)
– Pariah, Mike Wexler (Dispossession, Mexican Summer, 2012)
– Holy Melancholy, Kiila (Heartcore, Final Records, 2001)
Une émission proposée par Gaëtan Seguin / three:four records.
I’m so fuckin’ sick and tired of the Photoshop
Show me somethin’ natural like afro on Richard Pryor
Show me somethin’ natural like ass with some stretch marks
Still will take you down right on your mama’s couch in Polo socks.
Une vie où on trouve qu’il faut du courage
Pour s’avouer lâche chaque jour davantage
Une vie à mettre le masque qu’il faut pour monter plus haut
À faire des efforts
À dire oui à des gens dont on sait qu’ils ont tort
Une vie à parler de ce qui est mal et de ce qui est bien
Alors qu’on a soi-même jamais fait le point.
Tracklist :
– Samurai Showdown (Raise Your Sword), The RZA (Ghost Dog: The Way Of The Samurai (Music From The Motion Picture), Victor, 1999)
– Holyfield, Aamni + King Vision Ultra (An Unknown Infinite, Purple Tape Pedigree, 2020)
– Endeavors For Never (The Last Time We Spoke You Said You Were Not Here. I Saw You Though), Shabazz Palaces (Black Up, Sub Pop, 2011)
– Horizontal Hold, This Heat(This Heat, Piani, 1971)
– Lie4, Danny Brown (XXX, Fool’s Gold, 2011)
– 1800FVCK12, Big $ilky (Big $ilky Volume 2, self-released, 2020)
– HUMBLE, Kendrick Lamar (Dawn, Top Dawg Entertainment, 2017)
– Theme From Konono, The Ex (Turn, Vicious Circle, 2004)
– Une Vie, Programme (L’enfer tiède, Lithium, 2002)
– Bom Bom Diggy, Tricky with DJ Muggs and Grease (Juxtapose, Islands, 1999)
– Tight, KRS One (Between Da Protests, self-released, 2020)
– Me and the Devil, Gil Scott Heron (I’m New Here, XL Recordings, 2010)
– (Subversive Script) Dälek, (Abandoned Language, Ipecac, 2007)
– Madvillain, Accordion (Madvillainy, Stones Throw Records, 2004)
– militant, Babyfather (Platinium Tears, self-released, 2016)
Une émission proposée par Gaëtan Seguin / three:four records.
Now, what’s the matter with you?
You’re lying if you think
That my pain isn’t your pain
Because when I’m hit, you flinch.
Tracklist :
– Brown Eyed Man, Kae Tempest (« The Book Of Traps and Lessons », 2019, American Recordings)
– Sonus Ruinae part 1, Marta de Pascalis (« Sonus Ruinae », 2020, Morphine Records)
– A Desire, Nameless, Hiro Kone (« A Fossil Begins to Bray », 2019, Dais Records)
– Retro OTW, Vegyn (« Only Diamonds Cut Diamonds », 2019, PLZ Make It Ruins)
– How To Fight, Eartheater (« Phoenix : Flames Are Dew Upon My Skin », 2020, PAN)
– Come sta, La Luna, Can (« Soon Over Babaluma », 1974, United Artists)
– Two Bonangs, Coated Spheres, Piano, Two Synthesizers, Natural Objects, Josiah Steinbrick, (« Meeting of Waters », 2017, Banana Editions)
– Cellos & Autoharps, Oliver Coates (« Towards The Blessed Lands », 2013, PRAH)
– The Tourist, Lady June (« Lady June’s Linguistic Leprosy », 1974, Caroline Records)
– Blueshift, Max de Wardener (« Music For Detuned Pianos », 2020, Village Green)
– Derridas, n°4 : Jacques Derrida Goes To The Beach, Laurence Crane (« 20th Century Music – Solo Piano Pieces, 1985-1999, performed by Michael Finnissy », 2008, Metier Sound & Vision)
– Soft Energy I – 1990, Rafael Toral (« Sound Mind Sound Body », 1994, AnAnAnA – reissue : 2018, Drag City)
– L’amou dans Bois, Roger Melt (« Pleine Lune », 1984, G.K. Records)
– Halls, Joanne Robertson (« Black Moon Days », 2015, Feeding Tube Records)
Une émission proposée par Maxime Guitton.
*Down
Up
Repeat
Down
Down.
Une sélection sur la peur, la joie, l’euphorie et l’introspection
Qui aurait pu s’appeler “drone de dames”, mais qui en réalité est parfaitement mixte.
Tracklist :
– Diaphonia Basilica, Sarah Davachi(Cantus, Descant - Late Music, 2020)
– Persefone, Anna von Hausswolff (All Thoughts Fly, Southern Lord, 2020)
– Parade du Soliat, La Tène & Jacques Puech & Louis Jacques(Abandonnée/Maléja - three:four/Bongo Joe, 2018)
– Harmoniske øvelser, Ragnhild May & Kristoffer Raasted - (Harmoniske øvelser - Sensorisk Verden, 2017)
– Le noir pays, Accident du travail - (Très précieux sang - Trilogy Tapes, 2016)
– Casting, Lost in Hildurness(Mount A - 12 Tónar, 2006)
– 41° 52’ 50” N, 87° 42’ 39” W, thisquietarmy & Scott Cortez (meridians - three:four, 2010)
Une émission proposée par Gaëtan Seguin / three:four records
But he could not blow the house down. ‘Till then, he was furious, he climb on the roof.
Tracklist :
– Moments of Laughter (excerpt 1) - Hildegard Westerkamp (« Moments of Laughter », 1988)
– Dowland’s Tears, Mary Jane Leach (« (F)lute Songs », 2018, Modern Love)
– What Happened, Laetitia deCompiegne Sonami (V.A. « Imaginary Landscapes : New Electronic Music », 1989, Elektra Nonesuch)
– Al cancello, Silvia Tarozzi (« Mi Specchio e Rifletto », 2020, Unseen Worlds)
– Like Last Night, Stine Janvin (« Fake Synthetic Music », 2018, Pan)
– Hikari, Maggi Payne (« Ahh-Ahh – Music for Ed Tannenbaum’s Technological Feets, 1984-1987 », 2012, Root Strata)
– The Deep Blue Sea (excerpt), Hildegard Westerkamp (« The Deep Blue Sea », 1989)
– Foreigner A, Kaffe Matthews (« Foreigner », 2020, Objects Limited)
– From A Harmonic Algorithm, Laurie Spiegel (« Unseen Worlds », 1991, Scarlet Records)
– Act I, Scene III - Don Juan Enlightened, Elodie Lauten, (« The Death of Don Juan », 1985, Cat Collectors)
– Same Time Tomorrow, Laurie Anderson (« Bright Red », 1994, Warner)
– Stain – The Music Rooms (excerpt), Maryanne Amacher (V.A. « Imaginary Landscapes : New Electronic Music », 1989, Elektra Nonesuch)
– Moments of Laughter (excerpt 3), Hildegard Westerkamp (« Moments of Laughter », 1988)
– Horse Sings From Cloud (Encore Section), 1977 – live performance in Paris produced by Daniel Caux for French Radio, Pauline Oliveros (V.A. « Attention Patterns », 2010, Black Pollen Press / Important Records)
Une émission proposée par Maxime Guitton / three:four records.
Amou daquela vez como se fosse a última
Beijou sua mulher como se fosse a última
E cada filho seu como se fosse o único
E atravessou a rua com seu passo tímido
Tracklist :
– Mã, Tom Zé (“Estudando O Samba”, 1976, Continental)
– Um Só, Pedro Santos (“Krishnanda”, 1968, CBS)
– Autonomy, Mike Wexler with Synthetic Love Dream (“s/t”, 2020, three:four)
– Coisa n°2, Moacir Santos (“Coisas”, 1965, Forma)
– Oumuamua, Norberto Lobo (“Estrela”, 2018, three:four)
– 2128½, Joshua Abrams & Natural Information Society, (“Simultonality”, 2017, Eremite Records)
– Valsa dos Cogumelos, Lula E Lailson (“Satwa”, 1973, Rozenblit)
– Jongada, Bola Sete (“Ocean Memories”, 1975/1999, Samba Moon Records)
– The Engram, Mike Wexler (“Syntropy”, 2016, three:four)
– The Colony Room, The Sea and Cake (“Oui”, 2000, Thrill Jockey)
– Ghost Story, John Cale (“Vintage Violence”, 1970, Columbia)
– Construção, Chico Buarque (“Construção”, 1971, Philips)
Une émission proposée par Gaëtan Seguin / three:four records
*Down
Down
Up.
Tracklist :
– Ayo Ayo Nene (Blessing For The New Born Baby), Mor Thiam (« Dini Safarrar (Drums of Fire) », 1973, Rite Record Productions)
– Kings of Mali, Chico Freeman (« Kings of Mali », 1978, India Navigation)
– Wayang No. II (Shadowdance), Anthony Davis (« Epistēmē », 1981, Gramavision)
– Woodstock, New York, Larry Chernicoff (« Gallery of Air », 1983, Muse/Art Records)
– Night Flight, Steve Douglas (« Rainbow Suite », 1981, Bel Tree Records)
– Wolfman, Bob James Trio (feat. Robert Ashley & Gordon Mumma), (« Explosions », 1965, ESP Disk)
– Blues II, Keith Tippett (« Blueprint », 1972, RCA Victor)
– Asymetric, Fabio Fabor & Armando Sciascia (« Infini», 1975 ?, Musique pour l’image)
– Winter in Wyoming (1982), Mikel Rouse Broken Consort (« A Talk In The Woods », 1985, Crammed Discs)
– Esodo, Daniela Casa (« Società Malata », 1975, Deneb)
Une émission proposée par Maxime Guitton / three:four records.
Have you heard the way they love you?
Have you heard their song?
Have you heard the way they hold you?
When you right your wrongs
When you right your wrongs
Sélection de morceaux qui ne vont pas toujours là où on les attend mais qui sont parfaits pour la route.
Tracklist :
– You Ain’t Gonna Know Me ‘Cos You Think You Know Me, Louis Moholo Octet (“Spirits Rejoice!”,1978, Ogun)
– Lentilhas, Oba Loba (“Sir Robert Williams”, 2017, three:four)
– Lou Nina, Orgue Agnès (“A une gorge”, 2018, three:four, Standard In-Fi, A1000P)
– Cummins Falls, 75 Dollar Bill (“Wood/Metal/Plastic Pattern/Rhythm/Rock”, 2016, Thin Wrist Recordings)
– Efter Regnet/Vattenfall, Archimedes Badkar (“II”, 1976, MNW)
– Maryam, Norberto Lobo (“Fornalha”, 2014, three:four)
– Valley of the Rocks, Voice of the Seven Woods (“Voice of the Seven Woods”, 2007, Twisted Nerve)
– On the Banks of the Old Kishwaukee, Ryley Walker (“Primrose Green”, 2015, Dead Oceans)
– Wythe Raag, Gunn-Truscinski Duo (“Sand City”, 2010, Three Lobed Recordings)
Une émission proposée par Gaëtan Seguin / three:four records
And he had begun to notice, as his hearing failed, that mind and matter were in no way connected to one other, as if in fact the one could not propose and prove its erotic existence in terms of the other
Tracklist :
– Abschliessend (op. 22, book 61), Hanne Darboven (« Requiem », 2005, Hanne Darboven Stiftung)
– Ricercar nell’ombra (excerpt), Emmanuel Holterbach with Blutwurst (« Ricercar nell’ombra », 2020, Another Timbre)
– White’s SS , Gavin Bryars (« From Brussels with Love », 1980, Les Disques du Crépuscule)
– Waltz, Steven Brown (« Music for Solo Piano », 1984, Another Side)
– I’m Just a Human Being, Jill Kroesen (« Stop Vicious Cycles », 1982, Lovely Music)
– The Jeweller, John Cale (« Slow Dazzle », 1975, Island)
– Johnny’s Dead, Anthony Moore (« Out », 1976, Virgin)
– We Will Meet Them Again, Virginia Astley (« A Bao A Qu » 10’, 1982, Why Fi)
– Windy Outside, Blaine L. Reininger & Mikel Rouse (« Colorado Suite », 1984, Crammed Discs)
– Land of My Dreams, Anna Domino (« East and West », 1984, Les Disques du Crépuscule)
– The Hawk (El Gavilan), Mark Isham / Marianne Faithfull (« Trouble in Mind » OST, 1986, Island)
– Weightless, Brian Eno, Daniel Lanois & Roger Eno (« Apollo. Atmospheres and Soundtracks », 1983, EG)
Une émission proposée par Maxime Guitton / three:four records
*Up
Up
Down
Up
Down
Down.
Cinq mantras, cinq voyages sans bouger.
Tracklist :
– Chambre 1, Ilitch (“Erron the Good Side”, 2009, three:four)
– Goodbye Oslo Rose, Richard Youngs (“Live on WFMU’s Airborne Event with Dan Bodah”, 2013)
– Morte (Poor Camel Long Way From Home), Filipe Felizardo (“Volume II – Sede e Morte”, 2014, three:four)
– France, France (“France”, 2010, Les Potagers Natures)
– Espere, Tresque (“Aindanao”, 2018, -ous-)
Une émission proposée par Gaëtan Seguin / three:four records
Beautiful dreamer,
Wake unto me
Starlight and dewdrops
Are awaiting thee.
Après avoir décéléré (Alentir), nous être posés (Suspendre), est peut-être venu le temps d’ouvrir grand les yeux. Ou plutôt les oreilles. Décillons.
Tracklist :
– Buried Wild Blind, Felt (« The Final Resting of The Ark » EP, 1987, Creation Records)
– Beginning of The Heartbreak, Peter Gordon & Love of Life Orchestra (« Extended Niceties », 1980, Infidelity)
– Double Heart, Robert Rental (« Double Heart / On Location » 7’’, 1980, Mute)
– Beautiful Dreamer, Justine & The Victorian Punks (« Beautiful Dreamer / Still You » 12’’, 1979, Colette Is Dead Co. Ltd)
– North Star, Robert Fripp (« Exposure », 1979, EG)
– Play, Limpe Fuchs / Anima (« Via », 1987, Dom)
– Shüffer , Inoyama Land (« Danzindan Pojidon », 1983, Yen Records)
– The Signal, The Reds (« Stronger Silence », 1981, Stony Plain Records)
– Hyperborea, Tangerine Dream (« Hyperborea », 1983, Virgin)
– Sympathy and Acknowledgement, Mark Isham (« Vapor Drawings », 1983, Windham Hill Records)
– Life in a Scotch Sitting Room, Vol.2, Episode 15, Ivor Cutler & Linda Hirst (« Privilege », 1983, Rough Trade)
– Ivory, Jan Steele/Ziz! Ensemble (« Desert Island Dusks », 1986, Les Disques du Soleil et de l’Acier)
– Zopf : Surface Tension (Where The Trees Meet The Sky), Simon Jeffes, performed by members of The Penguin Café Orchestra (« Music From The Penguin Café », 1976, Obscure Records)
– Matters of Theory, The Lost Jockey (« The Lost Jockey », 1982, Les Disques du Crépuscule)
– Experiences n°2 (Robert Wyatt), John Cage (« Voices and Instruments », 1976, Obscure Records)
– Aria (Irma You Will Be Mine), Tom Phillips, Gavin Bryars & Fred Orton (« Irma », 1978, Obscure Records)
– Multiple 12, Soft Verdict (Wim Mertens) - (« Vergessen », 1982, Les Disques du Crépuscule)
– Melancholy Waltz, Brian Eno & Robert Fripp (« Music For Fans Vol. 1 », 1975, New Depression Music)
Une émission proposée par Maxime Guitton / three:four records
Il me disait dans son langage
Ta bien-aimée on va l’enterrer,
Ta bien-aimée on va l’enterrer,
Ah que dis-tu, méchante bête ?
[…]
J’étais près d’elle hier au soir.
Des voix sans paroles, du chant sans mot. Sauf une (,) seule.
Tracklist :
– Like That Madri Gal, Alvarius B. (“Baroque Primitiva”, 2011, Abduction)
– A Tapestry To Weave, Anahita (“Tourmaline”, 2017, three:four)
– Fall Out, Clément Edouard (“Dix Ailes”, 2020, three:four)
– Canti Illuminati [For Voice, Synthesizer, Tape], Alvin Curran (“Canti Illuminati”, 1982, Fore)
– En papier, le fruit vert (“Paon perdu”, 2017, three:four)
– Umanamente Uomo: Il Sogno., Lucio Battisti (“Umanamente Uomo: Il Sogno.”, 1972, Numero Uno)
– Quand je menais mes chevaux boire, Eloïse Decazes & Eric Chenaux (“La bride”, 2017, three:four)
Une émission proposée par Gaëtan Seguin / three:four records
Chanterai por mon corage
Que je vueil reconforter,
Car avec mon grant damage
Ne quier morir ne foler,
Quant de la terre sauvage
Ne voi mes nul retorner
Ou cil est qui rassoage
Mes maus quant g’en oi parler.
La quasi-intégralité de ces musiques a été composée pour le cinéma ou opportunément associée à des images en mouvement. De nappes synthétiques en bourdons médiévaux, elles tracent chacune à leur façon des îles, des alpes, des déserts, des cieux, des désordres, des corps, des ailleurs, des lendemains.
Tracklist :
– Seiun, Kitaro (original soundtrack to the film Manhunter directed by Michael Mann, 1986, MCA)
– It Won’t Be The End of The World, Bruce Langhorne (original soundtrack to the film Idaho Transfer directed by Peter Fonda, 1973, -)
– Le vent de l’espoir, Edouard Artemiev (original soundtrack to the film Siberiade directed by André Kontchalovski, 1979, Le Chant du Monde)
– The Plumb Line / Bells for Mompou, Matthew De Gennaro (“Chuang Tzu Motherfucker “, 2013, Soft Abuse)
– Zäuerli et ronde de l’écu, V.A. (“Suisse : Paysages musicaux”, 2004, Ocora)
– Rhubarb, Aphex Twin (“Selected Ambient Works Volume II”, 1994, Warp)
– 14:31, Global Communication (“76:14”, 1994, Dedicated)
– Space Capsule, John Phillips (original soundtrack to the film The Man Who Fell to Earth directed by Nicolas Roeg, 2016, StudioCanal)
– Cérémonie, Philippe Besombes (original soundtrack to the film Libra directed by Collectif Pattern, 1975, Pôle Records)
– Tsintskaro, Hamlet Gonashvili (“Georgian Folk Songs “, 1983, Мелодия)
– Guiot de Dijon : Chanterai por mon coraige, Studio der Frühen Musik (dir. Thomas Binkley) (“Chanterai por mon coraige “, 1994, Teldec Classics)
Une émission proposée par Maxime Guitton / three:four records
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Une sélection de morceaux du catalogue du label mis en perspective avec des influences majeures. Bourdons, guitares percussives et percussions répétitives. Une manière de souligner les connexions entre des artistes qui, sans être toujours personnellement liés, appartiennent à la famille élargie de three:four.
Tracklist :
– paysage avec fer, :take : (“Split series volume 1”, 2009, three:four)
– Gallos blancos, Riccardo Dillon Wanke, (“Cuts”, 2015, three:four)
– #6, Giuseppe Ielasi (“Aix”, 2009, 12K)
– Revolt, Manuel Troller (“Vanishing Points”, 2018, three:four)
– La montée, Èlg (“Les Particules”, 2019, three:four)
– Softy As Stilts, the fun years (“Life-Sized Psychoses”, 2007, Barge Recordings)
– Dunes Spell Runes on the Edge of Town, Razen (“The Xvoto Reels”, 2017, three:four)
– The forest is madness, Maninkari (“Ruins of Time”, 2016, three:four)
– Toc, Tom Zé (“Estudando O Samba”, 1976, Continental)
– Nariz Norberto Lobo (“Estrela”, 2018, three:four)
– Bahííía, João Lobo (“Nowruz”, 2017, three:four)
Une émission proposée de Gaëtan Seguin / three:four records
L’idéal de ta raison, de tes impressions les plus fugaces.
À flot s’écoulent s’écoulent des illusions […]
[…]
Le son de l’espérance.
Une heure où il est question de voix nues, errantes, effilant le trait du temps, entre passé et futur antérieur ; de cordes dans tous leurs états, frappées, frottées, balayées, pincées ; comme d’images hallucinées ou remémorées. Une heure où il est surtout temps de décélérer.
Tracklist :
– Dammi Dammi Quel Fazzolettino (folk song) , Simone Forti (“Al Di Là”, 2018, Saltern)
– FM II, Loup Uberto (“Racconto Artigiano”, 2020, three:four)
– 666 (feat. Eartheater), LEYA (“The Fool”, 2018, NNA Tapes)
– The CBCD Intro (Sunrise, Outside), ‘Blue’ Gene Tyranny (“Country Boy Country Dog”, 1994, Lovely Music)
– Les Sensations enfouies, Delphine Dora (“L’inattingible”, 2020, three:four)
– On The Leopard Altar, Daniel Lentz (“On The Leopard Altar”, 1984, Icon Records)
– Slowness, Ana Roxanne (“~ ~ ~”, 2019, Leaving Records)
– Electronic Recalcitrant (Live), Martin Bartlett (“Anecdotal Electronics: Live Experiments And Other Recordings”, 2019, Arc Light Editions)
– Malabar Hotel… Ground Floor… Triangle Circuit On The Sea-Forest, Haruomi Hosono & Tadanori Yokoo (“Cochin Moon”, 1978, King Records)
– Die Stadt als Garten, Brannten Schnüre (“Erinnerungen An Gesichter”, 2019, Low Company)
– Amethyst, Eugene Bowen (“Bourgeois Magnetic”, 1981, Cantil)
– Eye of Donkey, Nour Mobarak (“Father Fugue”, 2019, Recital)
– Star Spangled to Death, Danny Oxenberg, Bear Galvin & friends (Pillow Mt. Conspiracy), (“Early Abstractions, Volume One”, 2019, three:four)
– Domaine Revisited, Fred Frith & René Lussier (“Nous autres”, 1987, Les Disques Victo)
– Nil by Mind, Richard Youngs & Raül Refree (“All Hands Around the Moment”, 2019, Soft Abuse)
– Cloud Housing, Mike Wexler (“Syntropy”, 2016, three:four)
– Umber Wastes (“Caravaggio 1610 (Sound Sketches For Michele Of The Shadows”) Simon Fisher Turner (Original soundtrack to the film Caravaggio directed by Derek Jarman, 1986, Él)
– Prelude, Kali Malone (“Organ Dirges 2016-2017”, 2018, Ascetic House)
– Charles Curtis – Music for “Lester”, Charles Curtis (2009) (“Performances & Recordings 1998-2018”, 2020, Saltern) 20. Willem Breuker / Johan van der Keuken, Beauty (“Music For His Films (1967-1978)”, 1978, BVHAAST)
Une émission proposée par Maxime Guitton / three:four records