Émission en direct avec les étudiant·es de l’Ensba Lyon
The Cristal Receivers
The KunschTTurm Club was located in the Kunstturm, a 100 m² apartment, on the 22nd floor of the Tour de l’Europe in Mulhouse. Made available by its owners, the club quickly became a second studio for the Alsace branch of ∏-Node. Julia and Dinah bubbled up the closing weekend. Armed with their cristal Baschets, they pulled the plug from the heat in the bathroom for a 2 hours improvised installation/performance. Inspired by Anne Carson’s poem ‘Guillermo’s Sigh Symphony’ (2002) which was copied onto the tiled walls, ears steaming near the bath tub of sounds, the audience drifted in and out. The “souffleuses de son” captured FM radio through the pipes, read extracts from the poem, and used hydrophones and small radios to amplify the drip, drip, dripping.
This is an edit from the ∏-Node stream, during the KunschTTurm Club, Season 1-31 jan-31 july 2025
Thanks to : JPRRR for the mastering, individu and the whole KunschTTurm crew.
bruit ambiant
Domestic Drones – An Inverted Acousmonium
“They’re my pets. They can be heard for hours at low volume in my workshop, even when I’m not there. I call them my domestic drones and they live in the open air.” (JPRRR)
Principle of the inverted acousmonium :
When recording, I place several types of microphone in the room. Each microphone has its own listening point. I alternate the sound points while remaining permeable to ambient sounds. In this way, I create an inverted acousmonium from a simple broadcast source.
Domestic Drones series 01 was first created as part of the Fallback on air residency, TT Node, Summer 2024.
This is my favorite. You got to say it quickly.
During lockdown, artist Alan Dunn established ‘orchestras’ across seven dementia care homes, using everyday objects as instruments and tongue twisters as lyrics. To everyone’s surprise, these tongue twisters became a precious activity, with participants (and the artist’s 6-year-old grandson) creating new ones, reciting them in different styles and even mastering some of the world’s hardest ones! This new mix brings together versions from one of the care villages in Chester that was part of the longer Where the Arts Belong research project between Bluecoat and Belong. The recent publication The Jingle Book documents these tongue twister adventures that brought laughter and new verbal fluency to many during dark times.
Salut, moi je suis un blagueur, et je vais vous faire la blague de la valise.
radio psg matin is a very local station that simulcasts live on p-node.org For the past five years, the main show, named la matinale (morning show), takes place every other monday from 7 am to 9 am at a local café in le Pré-Saint-Gervais, a North-Eastern Parisian suburb. translate chain was recorded under live conditions.
*Down
Up
Up
Up
The MiniDisc was born exactly thirty years ago, on November 1, 1992.
Abandoned in 2012, it was then officially reported missing in 2013.
A very short existence in the life of audio formats.
This programme for the Radia network becomes the pretext to resuscitate a selection of personal recordings, amongst a hundred MiniDiscs representing several hundred hours of recordings made between 1998 and 2005 on this no less famous ATRAC format whose simple evocation will move some of you.
A (very) personal opinion:
The mini disc was THE best format of all time ! It had all the advantages of the audio cassette in re-writable digital format and instant playback, plus the possibility of editing within the support itself, to make loops without cuts, and to re-record on the spot.
A pocket studio at the height of mechanical technology. A format so bastard and born too late to survive. Neither mainstream nor professional, a consumerist marvel at the dawn of digital, so to speak, dematerialized.
The quintessence of obsolescence, the last song of a materialistic sign.
The MINIDISC.
This radio programme bringst together a hundred files from 1 sec to 4min mixing a lot of raw materials, some field-recordings many wanderings back and forth with a protools editing suite from another time and a series of minidisc’s players noise.
Yann Leguay lives and works in Brussels. He focuses on the notions of dematerialization, the use of interfaces and everything about the materiality of memory. In his sound practice he was defined as a ‘media saboteur’ by the Consumer Waste label, seeking to fold the sound materiality in on itself using basic means in the form of objects, videos and performances. He has presented his work in many places and festivals all around Europe and further such as Kunstenfestivaldesarts, Club Transmediale, Centre Pompidou, Ex-Teresa Arte Actual.
Une émission proposée par Yann Leguay et ∏Node pour le réseau Radia.fm.