En direct
Volume
04.10.24
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En direct sur *Duuu Radio : Table ronde PERFORMISSIMA

Le 18 octobre de midi à minuit le Centre Wallonie Bruxelles/Paris devient un vaisseau de la performance. Pour mieux comprendre ce que ce mot veut dire et vous convaincre de venir vivre ce marathon d’art vivants, Amélie Blaustein Niddam, sera en direct demain sur les ondes *Duuu. Elle recevra les artistes Gerald Kurdian, Lou Fauroux, Felix Touzalin, Stephanie Pécourt, directrice du CWB et Caterina Zevola, commissaire du festival PERFORMISSIMA.

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17.10.19
Substraction Chronicles (2/12) - The End of Self or The World
Switch (on Paper), Jean-Baptiste Farkas
07'21"
Feuilleton (58)
Feuilleton (58)
17.10.19
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An editorial project by French artist Jean-Baptiste Farkas conceived for Switch (on Paper).
In 12 episodes that can be read or listened to, each chronicle looks at the particularity of subtraction as an aspect of how art and society relate. At how less, emptiness or destruction create meaning in the contemporary world.

Episode 2 – The End of Self or The World (7’21)

Is The Seventh Continent a movie? Or a new continent? Both. In Austrian filmmaker Michael Haneke’s film, we witness the planned disappearance of a family, a couple and their daughter who methodically erase themselves from their environment. The new continent located between Hawaii and California, on the other hand, produces a substance that is toxic for aquatic life, or actually for life in general. One continent too many.

Eliane Radigue - Transamorem transmortem

Must we archive the things we should rather forget? Is archiving a way to make something disappear? In these strange conjectures is where LACA (Los Angeles Contemporary Archive) and The Salvage Art Institute in the USA try to respond, without necessarily finding answers.

LES CHRONIQUES DE LA SOUSTRACTION (Subtraction Chronicles) were recorded in summer 2019 by *Duuu Radio in the extension of each text by Jean-Baptiste Farkas published by Switch (on Paper).

Direction and recording: Gaspard Collin and Martin Fauret for *Duuu
Studio *Duuu, July 2019

Jean-Baptiste Farkas Jean-Baptiste Farkas’ artistic practice questions the notions and status of the artist, the artwork and the place of exhibition. He involves everyone in completing precise tasks that take the shape of services whose underlying objective is to upset the established order: put part of a habitat out of service, slow down the workflow or even tell lies. His collaborative projects are known under the names IKHÉA©SERVICES (1998), Glitch, Beaucoup plus de moins ! (2002) et PRACTICES IN REMOVE (2015). Books: IKHÉA©SERVICES, 68 pages de passages à l’acte !, Zédélé éditions, 2004. Glitch, Beaucoup plus de moins !, Zédélé éditions, 2006. Des modes d’emploi et des passages à l’acte, éditions MIX, Paris, 2010. Le Tournant Hostile, e-Publication, ABM Distribution, 2016. Retours d’usagers, éditions autrechose, 2016. On Words, In Deeds, english book, mfc – michèle didier, Bruxelles, 2017