21.08.26
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Premier quartier
Radio / concert / exposition

Soirée publique en clôture de la résidence La Pomme, la cuve et le ferment organisée au sein de la coopérative de fermentation expérimentale Pain Liquide, située à Saint-Sauveur-le-Vicomte, dans le Cotentin.

Durant cette résidence visant à croiser les savoirs artistiques et agricoles, plusieurs artistes ont été invité·es à expérimenter des formes collaboratives autour du cycle de la pomme : transformation de la matière, création d’objets, recettes fermentées, utilisation du bois, des contenants et autres formes de production.

Avec
Camille Azaïs (entretien)
Ioa Beduneau (composition électroacoustique)
Gilles Furtwängler (lecture/performance)
Joël Hubaut (lecture/performance)
Laurent Kropf (music soup)
Clara Maugin (teinture végétale)
Simon Nicaise (brassage/sculpture)
Bettina Samson (exposition)
Thomas Schmahl (concert)
Laurence Wagner (radio/dj-set)

Avec le soutien de la Drac Normandie, du département de la Manche, et de la Mairie de Saint-Sauveur-le-Vicomte.

Enregistrement : Mathias Dupaquier

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17.10.19
Substraction Chronicles (1/12) - Signs of Degrowth
Switch (on Paper), Jean-Baptiste Farkas
85'25"
Feuilleton (57)
Feuilleton (57)
17.10.19
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An editorial project by French artist Jean-Baptiste Farkas conceived for Switch (on Paper).
In 12 episodes that can be read or listened to, each chronicle looks at the particularity of subtraction as an aspect of how art and society relate. At how less, emptiness or destruction create meaning in the contemporary world.

Episode 1 – Signs of Degrowth (6’13)

Can a landmark piece of art be reduced to a “simple descriptive statement”? More generally, couldn’t everything be translated “into much smaller”? A challenge proposed by The Society for Conservation of the Present .(SCP). “Too big… and yet never big enough. That’s the paradox of modern life.” Small is beautiful.

Eliane Radigue - Transamorem transmortem

Must we archive the things we should rather forget? Is archiving a way to make something disappear? In these strange conjectures is where LACA (Los Angeles Contemporary Archive) and The Salvage Art Institute in the USA try to respond, without necessarily finding answers.

LES CHRONIQUES DE LA SOUSTRACTION (Subtraction Chronicles) were recorded in summer 2019 by *Duuu Radio in the extension of each text by Jean-Baptiste Farkas published by Switch (on Paper).

Direction and recording: Gaspard Collin and Martin Fauret for *Duuu
Studio *Duuu, July 2019

Jean-Baptiste Farkas Jean-Baptiste Farkas’ artistic practice questions the notions and status of the artist, the artwork and the place of exhibition. He involves everyone in completing precise tasks that take the shape of services whose underlying objective is to upset the established order: put part of a habitat out of service, slow down the workflow or even tell lies. His collaborative projects are known under the names IKHÉA©SERVICES (1998), Glitch, Beaucoup plus de moins ! (2002) et PRACTICES IN REMOVE (2015). Books: IKHÉA©SERVICES, 68 pages de passages à l’acte !, Zédélé éditions, 2004. Glitch, Beaucoup plus de moins !, Zédélé éditions, 2006. Des modes d’emploi et des passages à l’acte, éditions MIX, Paris, 2010. Le Tournant Hostile, e-Publication, ABM Distribution, 2016. Retours d’usagers, éditions autrechose, 2016. On Words, In Deeds, english book, mfc – michèle didier, Bruxelles, 2017

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