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Volume
07.05.24
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Un entretien entre Violaine Lochu, artiste performeuse, Lise Lerichomme, maîtresse de conférences en arts plastiques à l’université de Picardie Jules Verne à Amiens, et les étudiant·es du Master Médiation, Exposition, Critique de l’Université Paris 8.

« Suffrajitsu », nom donné aux pratiques d’autodéfense des suffragettes, est aussi le titre de cette conversation qui portera sur la formulation de la colère, les stratégies de résistance corporelle, les formes d’adelphité.

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18.04.24
Radia Show 994 : underneath the rubble my hand became a will / Radio Worm
Radio WORM, Dirar Kalash
28'00"
Radia (994)
Radia (994)
18.04.24
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A new radiopiece made by Palestinian soundartist Dirar Kalash in the Worm studio, february/march 2024
“underneath the rubble my hand became a will”

This piece is made up entirely from sounds collected from Palestine, and is composed from different field recordings : protests, nature, markets, city streets, and from different locations across Palestine. Those sounds were then heavily processed and composed, as an analogical approach to the political realities of Palestine, and the spatial and temporal transformation of both the land and the people —their movements, their lives, and their deaths.

Dirar Kalash (b. 1982) is a musician and sound artist whose work spans a wide range of musical and sonic practices within a variety of instrumental, compositional and improvisational contexts. Kalash also extends his practice into inter-disciplinary theoretical research. He has produced several solo and collaborative music albums and is active as an improvising musician.

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