En direct
Volume
[woːks]
13.05.22
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Discussion radiophonique, soirée performative et Dj Set

ÉVÈNEMENT FACEBOOK

Avec :
Lauren Tortil
Anne Le Troter
Méryll Ampe
Anna Holveck
Johana Beaussart
▬ Anne-Lou Vicente & Raphaël Brunel
▬ CB0101

Pour ce premier format collectif et radiophonique de [woːks], Lauren Tortil laisse sa place d’intervieweuse à Anne-Lou Vicente & Raphaël Brunel pour rejoindre les artistes avec lesquelles elle s’est entretenue cette année : Anne Le Troter, Méryll Ampe, Anna Holveck et Johana Beaussart.
Le temps de cette soirée, à plusieurs voix autour d’une table ronde, iels discuteront des pratiques et espaces d’énonciation et d’écoute dans le champ des arts sonores et visuels. Il sera question de leur engagement en tant qu’artiste, du rapport qu’elles entretiennent avec le sonore et de tenter—sans écarter leur singularité—de dessiner un potentiel territoire commun.

Cet événement en plein air dans le Parc de la Villette, retransmis en direct sur *Duuu, sera rythmé et ponctué par un va-et-vient entre des discussions collectives et les créations sonores de chacune (performances, concert, lecture, etc.).
[woːks] est une série de rencontres entre deux artistes—Lauren Tortil et un·e invité·e de son choix—au sujet de l’art sonore. Qu’il s’agisse de manipuler la voix et ses sonorités, de capter ou fabriquer des sons, de construire des espaces acoustiques, etc., les démarches artistiques qui contribuent à sa définition sont plurielles. Avec le projet éditorial [woːks], il est alors question de works et de vox, de travail et de voix, de poser une voix sur un travail par le biais d’un entretien et d’une pièce sonore réalisée en collaboration.

Le projet est visible et audible sur le site www.wo-ks.com

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De 19:00 à minuit sur le parvis du studio
*Duuu Radio, Folie N4, Parc de la Villette, Paris 19e
Plan d’accès

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17.04.18
Alvin Curran
Maxime Guitton
84'54"
Conversation (90)
Conversation (90)
17.04.18
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Alvin Curran, born 1938 in Providence (Rhode Island), is a Rome-based American composer and improviser, educated at Brown University and Yale University. After a year spent in Berlin with his teacher Elliott Carter, he settles in December 1964 in the Eternal City where he quickly bonds with other American expats and Ivy League composers - Frederic Rzewski and Richard Teitelbaum to name a few,- with whom he founds in 1966 the pioneering free improvisation collective Musica Elettronica Viva (MEV), in a revolutionary context. As early as 1971, he creates a poetic series of solo works for synthesizer, voice, taped sounds and found objects, and progressively develops large-scale projects outside the concert hall, in lakes, ports, parks, quarries, etc., whilst working on a regular basis on film and theater productions. In the 1980’s, various commissions from German radios allow him to further explore his idea of musical geography, through radiophonic works. Involved in numerous collaborative projects, he has been working extensively with choreographers (Trisha Brown, Simone Forti…), visual artists (Edith Schloss, Joan Jonas, Melissa Gould…), poets (Clark Coolidge), film directors (Memè Perlini, Susumi Hani, Beni Montresor, Antonioni…) avant-garde theater companies (The Living Theater, …), etc. An avid improviser, Alvin Curran continues at the same time to write pieces for acoustic instruments and electronics, radiophonic works and sound installations.

Maxime Guitton, a regular contributor of *Duuu radio, is currently a fellow at Villa Medici, the French Academy in Rome, where he’s leading a research on the composer. Together with Simon Ripoll-Hurier and Myriam Lefkowitz, they visited him in his studio, located a few hundred meters away from the Coliseum. They wanted to know more about his connexion with the radio, the importance of radiophonic works in his own production, how they relate with his activities of field recordist. They asked him to speak in detail about his methods through a specific piece named “Cartoline Romane”, a musique concrete piece commissioned, produced and first broadcast by Westdeutscher Rundfunk, Cologne in 1987. For about 90 minutes, Alvin Curran generously shares some of his fundamental concepts about music making through precise examples and more abstract ideas, which hopefully will help anyone understanding the scope of his work and some of its prominent features.

A radio show proposed by Maxime Guitton with Simon Ripoll-Hurier and Myriam Lefkowitz.

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