Émission en direct avec les étudiant·es de l’Ensba Lyon
I fell like I need this absence. I need silence to live.
*Duuu s’associe à Radiophrenia, la station de radio d’art éphémère du Center for Contemporary Arts de Glasgow.
Plusieurs fois dans l’année, pendant deux semaines, Radiophrenia diffuse en direct une exploration des tendances actuelles des arts du son et de la transmission.
Cette semaine *Duuu diffuse deux épisodes de Radiophrenia Redux 2020. Le deuxième épisode présente deux pièces :
“The Healer” by Cucina Povera
Cucina Povera is the solo project of Luxembourgish-Finnish musician Maria Rossi. It has been described as one of the most striking new voices from Glasgow’s underground music scene. Named after the Italian culinary concept which emphasises the use of a few simple ingredients, Cucina Povera conjures gorgeous, otherworldly songs about nourishment and precarity from layered vocals and electronics.
For Radiophrenia 2020, Rossi embarked on a new body of work, produced at the music studio WORM in Rotterdam. The theme once again riffs on a favourite: asceticism. Simplistic synthlines interweave with a text. The work has gathered momentum over months of creative stasis, and it seeks to pass a sentiment of strength-in-introspection onwards.
“As All the Heavens” by Gregory Whitehead
Composed and performed by Gregory Whitehead, with Aimée Anders as the Voice of the No Place.
Based on four lines from a poem by Emily Dickinson:
As all the Heavens were a Bell,
And Being, but an Ear,
And I, and Silence, some strange Race,
Wrecked, solitary, here -
Commissioned for Radiophrenia 2020 with the support of Creative Scotland.
Down
Up
Up
Up
*Duuu s’associe à Radiophrenia, la station de radio d’art éphémère du Center for Contemporary Arts de Glasgow.
Plusieurs fois dans l’année, pendant deux semaines, Radiophrenia diffuse en direct une exploration des tendances actuelles des arts du son et de la transmission.
“Radio Carrion” by Double Goocher Shop (AKA Renato Grieco & MP Hopkins)
The early 1940’s. Several unconnected people from various locations disappear. They somehow became stuck in a radio field. Since then, the inhabitants of this interference space have had to readjust their social behaviours, re-evaluate their ethics, find a way to live despite disembodiment. Cultural practices have mutated within the magnetic field, including those of burial and remembrance for the dead. During short wave radio explorations, Double Goocher Shop unintentionally captured EVP interactions with these inhabitants. The stereophonic artefact produced by the duo for Radiophrenia explores an anthropological hoax via the metaphysical features of spherics, veering voltages, static electromagnetism, and ghost voice hunting.
How to bury a body without a body?
“Mineral Disobedience” by Alexis Weaver
Mineral Disobedience is an experimental soundscape inspired by an unofficial war waged in Sydney, Australia. Known for its natural beauty, the Emerald city is experiencing a period of rampant development; mirroring the wider world. Industry leaders must increasingly engage with environmental concerns raised by the public, as has been demonstrated by the ongoing climate change protests. For the latter group, this is a deeply personal issue which must affect the way we all interact with nature forever; for the former, it seems climate collapse is an administrative nuisance rather than impending reality. I use this context as a starting point to explore how Human, Machine and Animal might interact if the machines and tools we use in our taming of Nature were given anthropomorphic voices. Field recordings of construction sites and the natural world intersect as the machinery rattles to life. How would the diggers, jackhammers, trucks, the frames of the skyscrapers themselves, interact with their surroundings if liberated from their day jobs? The minerals from the ground, re-moulded into the building blocks of humankind, would surely have some things to say.
The piece charts a loose journey through the life of such machines, including the monotony of the construction site, hearing the dazzling voices of many humans, a flirtation with the natural world, and an inevitable return to ordained duty. The natural resonances of these field recordings inform the melodic content of the piece, including the recurring, poignant melody.
Commissioned for Radiophrenia 2020 with the support of Creative Scotland.
Radio Carrion is a co-commission between Radiophrenia and Kunstradio Radiokunst for Ö1, Austria.
Produced with the support of Creative Scotland.
Commissioned for Radiophrenia 2020 with the support of Creative Scotland.