Émission en direct avec les étudiant·es de l’Ensba Lyon
[…] Forgotten […]
- Forgotten Loops’ Sketchbook, 2023-2024 (00:17:06)
Life is a beautiful glitch. A rhythmic essay on our flaws and imperfections. An infinite list of small mistakes and forgetfulness that swirl and thicken in the mind of the poet, a sound artist. Beckettian anti-resolutions that emerge like a litany during a brief meditation on everyday life. The author’s poem, presented by means of a superimposition of vocal lines made up of loops with different psychological framings of the text. Simultaneities. The irregularity of the loops used in the piece, the result of sudden gestures of improvisation on the recorded material, results in an approximation to the technical precariousness of sillon fermé, the closed groove inscribed on old acetate discs. Cuts and overlaps animate the resulting patterns. The piece is made up of three parts: parts 1 and 3, fast and essentially rhythmic. Part 2, broader, slower and cumulative; semi-discursive, punctuated by hesitations and squeaks. Voice: Anna Carl Lucchese.
- Children of Science, 2021 (17:07-18:07)
October, 2020. São Paulo. Three friends in a public park, wearing masks. They talk about life from a safe distance. Shy walkers pass. Children appear. They get on the spinning toy. At a safe distance, they articulate the present. Figure and background. Our anguish exposed to the sun. The pile driver lacks empathy. At night, alone, I listen to what they said: imaginary friends, little magic stones, trips to the Moon and Saturn! “The most dangerous thing in the world? Jump out of a Building. Second, catch the Corona virus.” Children of science, they are. Voice: Roberto D’Ugo Junior.
- Fica Comovido / Be Moved By (final section), 2021-2022 (18:07-27:07)
Mr Laurentino is a street musician who used to play his harmonica on the pavement of Avenida Paulista in the city of São Paulo. One evening in 2018, I conducted a short interview with him. When asked how passers-by reacted to his work, he simply said that everyone is moved when they hear music. I hadn’t seen Mr Laurentino for a long time. In this piece (2021), the phrase ‘Fica comovido’ (be moved by) is subjected to basic electroacoustic processing: slowdown, EQ, granular delay and exhaustive repetition. The irregularity of the loops, the fruit of sudden gestures of improvisation, results in an approximation to the technical precariousness of sillon fermé, the closed groove inscribed on old acetate discs. Repetitions, cuts and overlaps animate ‘resulting patterns’. At the end, I thank the musician, a little awkwardly, for the conversation before I leave. The 45 minutes are derived from a simple phrase said by Mr Laurentino as if he were apologising for something. This piece is neither a report nor a documentary, but a modest audio testimony and a poetic meditation on the human condition.
Roberto D’Ugo Junior is a brazilian artist-researcher dedicated to radio art. His work explores interfaces between magic, technique and art. Based on a poetic-documentary listening to everyday life, he develops an aesthetic investigation that dialogues with surrealism and musical minimalism. One of the main features of his work is the ritualistic repetition of speech residues and fragments of field recordings. He holds a PhD in Visual Arts from the Institute of Arts at São Paulo State University. He was programme and production coordinator at Rádio Cultura FM in São Paulo. He teaches radio and sound media at the Faculdade Cásper Líbero.
Our life as Palestinians in Gaza strip, is not life anymore. Every aspects of life has been damaged.
Extracts of four consecutive live transmissions by Journalist Ghada Al Kurd from Dier Al Balah, Gaza,
part of the ongoing series ‘Radio With Palestine’ produced and broadcasted by Soundcamp London.
The transmissions, co-produced with radioart106, took place on the dates 17.12.24, 31.12.24, 7.1.25, and 16.1.25.
Ceasefire started on 19.1.25 and was broken by Israel on 18.3.25.
Show made on day 553 of the war on Gaza.
Our chances of surviving are diminishing day after day, bombing after bombing
Nur, Ahmed Muin, Ghada alKurd, Selwa Amar and Ali, talk us through their lives under the Israeli genocidal war on Gaza during days 386-390, week 4, October 2024.
Produced in collaboration with B’tselem.
And so, we have found a possibility to somehow do things differently, collectively, and collaboratively.
RadioActive - on Water is a six episode podcast series, exploring the interactions between transmission, sound, activism and water. Each episode is created by a different artist/group of artists who engage with water politics and the politics of listening through the medium of radio.
Creators: Blanc Sceol (Stephen Shiell and Hannah White), Lisa Blackmore and Leonel Vásquez, RE-PEAT collective, Margarida Mendes, Carlos Monleon and Nathaniel Mann, Meira Asher.
The episodes:
‘An Ear to River ~ counterflows’ by Blanc Sceol (Stephen Shiell & Hannah White) invites the audience to listen with the Channelsea river, a recovering waterway in East London and home to the city’s largest combined sewage outfall.
‘River song, singing rivers’ by Lisa Blackmore and Leonel Vásquez, navigates the Bogotá River in Colombia through a more-than-human song created in collaboration with the living forces that shape the watershed’s ecosystems.
‘Watered’ by RE-PEAT collective approaches water justice through imagining the perspective of water nself, by drawing stories and definitions of bodies of water, and n’s entanglement in relation with other bodies, bogs, bugs, sundew, moss and more.
‘Sonic Traces’ by Margarida Mendes, is a journey from the deep ocean to the Mississippi river, to expose how traces of pollution, sonic and chemical, travel through watery space impacting communities across ecosystems.
‘River Breathing’ by Carlos Monleon and Nathaniel Mann, examines the impact of irrigation systems on human and more-than-human communities through the Ebro river in Spain and its endangered clam population.
‘Liquidation’ by Meira Asher interrogates the politically engineered water crisis in the Occupied Palestinian Jordan Valley where Israel deliberately and strategically deprives Palestinian shepherd communities of access to water.
Curated by Meira Asher and Stephen Shiell
Production - Meira Asher, radioart106
Mastering - Daniel Meir
Web design - Laetitiia Boulud
Produced with the support of the Pais council for Culture and Art, Israel
Image by Pablo Sanz from a project along the Manzanares River in Madrid
Radia Show 975 : “The Day After” with Aida Touma-Sliman / radioart106
Talk by feminist MK Aida Touma-Sliman about the context, background and aftermath of the October 7th Hamas massacre, and the Israeli war on Gaza.
Aida Touma-Sliman is a member of Knesset representing Hadash (Democratic Front for Peace and Equality). She was first elected in 2015 and served as the chair of the Knesset committee for the Status of women and gender equality.
MK Touma-Sliman is a member of the political bureau of the communist Party of Israel. Before being elected to the Knesset she was the editor of Al-Ittihad daily newspaper, affiliated with Hadash. She was the co-founder and general director of “Women Against Violence” – a Palestinian women’s organization that was responsible, among other things, to the creation of the first battered women’s shelters in the Palestinian community in Israel. MK Touma-Sliman was the first woman to serve in the High Follow-Up Committee for Arab Citizens of Israel and is Co-founder of the IWC- International Women Commission for Just Palestinian-Israeli Peace. She is also secretary member of the World Peace Council,
MK Touma-Sliman has been one of the strongest voices representing the Palestinian community in Israel and a harsh opponent of the Israeli occupation. She has been an outspoken critical voice against the Israeli settlements and the violent attacks on Gaza. MK Touma-Sliman has also played a prominent role in the development of the feminist movement in the Palestinian community in Israel and is regarded as one of the leaders of the Israeli feminist movement as a whole.
Recorded in Acre on 26.11.23.
Author: Meira Asher for radioart106
We have left the flags in No Man’s Land.
Floy Krouchi
Voices in my head
(in a no man’s land)
2022
(electronics, voices, transformed field recordings)
“A dry landscape of rocky mountains, transforming slowly into a pure white desert. No water,
No trees around, one floor’s beduins habitations, campement for the goats, under the strinking sun.
The road belong to the Power but the landscape belongs to the people, to the rocks, to the sand…
We have left the flags in No Man’s Land”
Floy Krouchi is a sound artist, composer and bass player from Paris, with mixed origins. She exclusively used her voice as the material for this piece, together with sounds recorded, generated and transformed in the so called “Holy Land” during various stays. The plurality of registers of the same voice, from melody to pure some objects or noises is used as a metaphor of the complexity of identity.
Une émission proposée par radioart106 pour le réseau Radia.fm.