Make the internet a better place.
Dreaming is an essential activity in processing experiences and witnessed events. It helps us construct a sense of identity, reality and can (partly) help to process traumatic experiences.
Since AI is constantly confronted with the most violent content on the internet, the Sonic Research Kitchen thinks it is very important that we learn this new technology how to dream. How else can we expect it to process all the violence it encounters on the internet?
If we don’t act now, we’d better reserve the poor thing a spot on the waiting list for a decent psychotherapist.
This is our humble contribution in trying to learn AI to dream. With many thanks to the contributors who preferred to stay anonymous.
Yours truly,
Sebastian Dingens,
for the Sonic Research Kitchen.
About Sebastian Dingens
Sebastian Dingens plays around, and calls it research. He lets his mind drift and calls it improvisation. He makes drawings and calls them compositions. He turns knobs and calls it synthesis. He fiddles with recorded sounds and calls it radiophonic. But he is very serious about all of these things.
AI says that he works at the intersection of experimental music, listening practices, radio and sonic research.
He is fascinated by processes of geological erosion, processes of forgetting and the emergence of memories of never-lived experiences.
The truth, in the end, is one’s own perception of reality.
—
cardboard cartoon figures of board surfers on waves of distant ice ages publicity for pubic hair and wrinkled bellies
anorexic skeletons disguised as bones of dinosaurs
fascinating drawings of young children,
curiously smiling with white teeth of disillusion
In a state of introvert depression rage I go to war,
I go to fight my own anger
with the violence of my own blood
on the brown battlefield under a dessert of black clouds
I am seeing myself standing there
but I am looking inward with closed eyes
fatigued by useless attempts to stay human in a hopelessly sick world
—
there’s an impenetrable forest,
a forest inside myself
and inside this forest, there’s a clearing. I am standing there,
in the middle of the clearing
of the forest
inside of myself
there’s no animals moving about.. except for insects
small little insects
crawling around
with the speed of light
….
segmented legs
weird flies
…
a thousand faceted eyes
observe me
I feel their gaze piercing
my own
harnass
….
through bark and bush
there’s only a slow peculation of light
a glimmering reflection
of what used to be hope
seeps through the leaveless branches of berches pale bodied
their skinns inscribed with badly healed wounds as if this groove remembers
a wound I have not yet spoken
…
But if we change perspective ….
I am sitting in front of the open window my legs are a curtain
through the open window
I see a field of refined flowers wheeping, still in the wind
there’s a lot of berchtrees.
my skinn is waving
it is a waving curtain
my skinn is a curtain, waving in the wind ….
the waving enlightens in me a burning desire
the waving enlightens in me an inseasable desire …
and through the open window I see
…
cardboard cartoon figures of board surfers on waves of distant ice ages publicity for pubic hair and wrinkled bellies
anorexic skeletons disguised as bones of dinosaurs
fascinating drawings of young children,
curiously smiling with white teeth of disillusion
In a state of introvert depression rage I go to war,
I go to fight my own anger
with the violence of my own blood
on the brown battlefield under a dessert of black clouds
I am seeing myself standing there
but I am looking inward with closed eyes
fatigued by useless attempts to stay human in a hopelessly sick world
Radia show curated by Carine Demange for Radio Campus Bruxelles.
Un sticker arc-en-ciel à paillettes Vierge Marie
Cyborg Lullaby from Gwen Sainte-Rose
« Est-ce que vous avez des enfants ? »
A cette question qui paraît anodine, celles qui ne sont pas mères peuvent apporter, chacune, une réponse et une histoire très différentes.
Gwen y répond ici à sa façon, dans ce premier geste sonore qui raconte son histoire et son rapport à la non-maternité. D’autres créations sur cette question suivront, présentant les univers singuliers de chacune autour du projet : « Celles qui ne sont pas mères ».
-
- « Cyborg Lullaby » from Gwen Sainte-Rose
(1st part of upcoming “Those who are not mothers”)
- « Cyborg Lullaby » from Gwen Sainte-Rose
“Do you have children?” To this seemingly innocuous question, those who are not mothers can each give a very different answer and tell a very different story. Gwen responds in their own way, in this first sound piece that tells their story and their relationship with non-motherhood.
It’s also about what they feel on a sensory level. How they live in a binary and heterosexual system. What is “natural” or not And how they find their way in there. Other creations on this question will follow, presenting each person’s unique universe on this theme.
Gwen Sainte-Rose is a musician, composer and sound artist. Their creations are always guided by sensitive listening.
For cello and loopstation, they composed “Collines – Racines”, two soundscapes inspired by the Forêt de Soignes and the Gaume region in South Belgium.
They produced the radio documentary “Ne pleure pas !” (Don’t cry!), about child abuse. Now they are also exploring links between videos they made with a microscope camera, sound and music, as in « Garden ».
Production, sound design and music : Gwen Sainte-Rose
Curation : Carine Demange
alien sounds, buzzes and sweet melodic noises
martiensgohome - I really should have seen through the airwaves
The inspiration for this piece came from the idea of treating the radiowaves as a living environment, a complex landscape just waiting to be explored. Applying field-recording methods to the shortwave signals of the radio highlights its various sceneries, and its diverse inhabitants. From radio amateurs to state propaganda, and from entertainers to religious freaks, all types of discourses can be found here competing for attention. Surrounding these voices is an equally fascinating ocean of electronic sounds : magnetic storms, carrier waves, interferences, radio-jamming, hum and buzz. The aether is an infinite synthesizer. The natural tones and human-made noises of the airwaves represent an inexhaustible source of sound material and inspiration.
This piece has been composed with the help of the scordinator, a computer program devised by martiensgohome during a residency in the Q-O2 workspace in 2023. The program generates a graphic score for multiple musicians to follow, suggesting dynamics, entry points and pauses for each performer. Designed for live performance as well as for decision making in the studio, it is both a game and a tool. It reconciles conducting and improvisation insofar as it doesn’t tell the musician what to play, or how, but lets him make creative choices within a timeframe.
martiensgohome is a radio-art collective based in Brussels and has been active on the air since 1996. They operate every week on Radio Campus 92.1 FM where they produce a one hour-long improvised show, using field-recordings, electronics, objects and guitar. They also perform live whenever possible, preferably in special settings, composing site-specific interventions or playing unconventional venues.
You can find and use the scordinator here : https://sublymediagonal.net/scoredinator/
martiensgohome is here :
http://mgh.constantvzw.org/
https://www.mixcloud.com/radiocampusbruxelles/playlists/martiensgohome-2023/
martiensgohome photo by fabonthemoon : https://www.flickr.com/photos/fabonthemoon/
Curation by Carine Demange for Radio Campus Bruxelles
We have a new neighbour next door who says “Oh you know, that tree is so tall, if there was a bad storm it would land on our roof or something”
And we just smile and say : TPO !
SHEELA-NA-GIG is an improvised and multiplied encounter on the banks of the Meavy river. An attempt to let the invisible invite itself and take its place in our daily practices.
Welcome to Dartmoor’s hidden rain forest, in the wooded valley of Dewerstone (Devon, England), inhabited by mossy rivers and welcoming faeries, tangled oaks and beech fruits, talking stones and spying sheeps, pagan radio fellows and Mabon cooking voices.
A idea from :
Carine Demange
Gihan Marasingha
Kerry Priest
Maggi Shade
With gratitude for the good vibes and voices of :
Alice Armstrong, Anne-Marie Bala, Premal Bhatt, George Brock, Stuart Crewes, Pauline Day, Hannah Drayson, Cat Guy, Lucinda Guy, Jess Langton, Sarah Lawrence, Mark Peacock, Roshani Ramass, the Meavy river, the sources of Plym and all Dartmoor energies and invisible inhabitants.
This creation is a collective work done in two days and broadcasted on ACCESS FM on the 17th of september 2023.
A collective radio piece produced during Dartmoor radio residential with Stellaria Media and supported by FUTURES on air project. Many thanks to them and to Soundart Radio.
Editing : Carine Demange
Combien de fois Brad Pitt est venu en Belgique ? Normalement il va en Italie mais jamais en Belgique.
Radio tout-le-temps est la webradio de BNA-BBOT. Elle émet en permanence, 24/7, depuis le jeudi 24 février 2022 et, en l’absence de preuve contraire, jusqu’à toujours. Elle diffuse de manière aléatoire des fragments de notre base de données mais peut aussi faire l’objet d’une programmation ou d’une curation plus spécifiques. Elle constitue une plateforme ouverte à laquelle peuvent participer les citoyens, les artistes, les organisations.
Notre base de données contient 25.000 fragments sonores. Personne, nulle part, n’a écouté l’ensemble de la collection qu’elle abrite. Pour tout écouter, un individu devrait y consacrer 1.458 heures soit approximativement 61 jours et nuits, sans interruption. radio tout-le-temps offre à cette collection sonore un lieu de partage et de narrations spontanées, créées à partir des mises en relation aléatoires de récits isolés, lesquelles forment alors un récit nouveau.
Une proposition de Radio Campus Bruxelles.
Depuis l’été 2022, *Duuu fait partie du réseau Radia, groupe international informel de radios libres créé en avril 2005. Ses différents membres possèdent un intérêt commun dans la production et la diffusion d’œuvres pour la radio. Le réseau se veut un espace de réflexion sur la radio et la création radiophonique d’aujourd’hui. Ses activités tentent de contribuer à l’échange interculturel et à la circulation des œuvres et des artistes.