*Duuu—Unités Radiophoniques Mobiles — Substraction Chronicles (9/12)

16.10.21

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TELL ME | MANIFESTATION DE PERFORMANCES ET DE RADIO
Frac Bretagne
16.10.2021, 16:30 - 23:30

16:30 – Intro
16:45 – Guillaume Pellay | Entretien
17:30 – Anaïs Touchot | Pièce sonore / Entretien
17:55 – Francis Raynaud | Pièce sonore / Entretien
18:35 – Mathis Berchery | Entretien
19:30 – Rubie | Playlist / Entretien
20:00 – [EN DIRECT] Emilien Chesnot | Lecture
20:30 – Emilien Chesnot | Pièce sonore / Entretien
20:45 – [EN DIRECT] Mathis Berchery | Performance
21:45 – [EN DIRECT] Alisson Schmitt | Playlist / Performance / Entretien
21:45 – Morgan Azaroff | Pièce sonore / Entretien
22:20 – [EN DIRECT] Mathis Berchery | Performance
22:30 – [EN DIRECT] Rubie | Concert
23:30 – Fin

TELL ME cherche à rendre compte d’une scène artistique qui associe pop culture et abstraction des formes.
TELL ME 2021 s’intéresse à la scène émergente en Bretagne.
Au programme : soap opera, stress&objets, caricaturiste, chansons insupportables, magie, apesanteur, récits&boissons, R’n’B onirique et vaporeux, langages informatisés.

TELL ME est un projet du Frac Bretagne, du Musée des beaux-arts de Rennes, de La Criée centre d’art contemporain et de 40mcube.

Avec *Duuu Radio, Morgan Azaroff, Mathis Berchery, Emilien Chesnot, Guillaume Pellay, Francis Raynaud, Rubie, Alisson Schmitt et Anaïs Touchot.

Liens externes

TELL ME

Tags

Frac Bretagne Guillaume Pellay Anaïs Touchot Francis Raynaud Mathis Berchery Rubie Morgan Azaroff Emilien Chesnot Alisson Schmitt 40mcube La Criée

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17.10.19

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An editorial project by French artist Jean-Baptiste Farkas conceived for Switch (on Paper).
In 12 episodes that can be read or listened to, each chronicle looks at the particularity of subtraction as an aspect of how art and society relate. At how less, emptiness or destruction create meaning in the contemporary world.

Episode 9 – Observatory of the Banal (7’59)

What is banalysis? An analysis of the banal, of the absurd? It can be so much more than that, just look at its followers, who convened for years at the Fades train station in the middle of France, for nothing less than “a complete and utter loss of irretrievable time.”

Eliane Radigue - Transamorem transmortem

Must we archive the things we should rather forget? Is archiving a way to make something disappear? In these strange conjectures is where LACA (Los Angeles Contemporary Archive) and The Salvage Art Institute in the USA try to respond, without necessarily finding answers.

LES CHRONIQUES DE LA SOUSTRACTION (Subtraction Chronicles) were recorded in summer 2019 by *Duuu Radio in the extension of each text by Jean-Baptiste Farkas published by Switch (on Paper).

Direction and recording: Gaspard Collin and Martin Fauret for *Duuu
Studio *Duuu, July 2019

Jean-Baptiste Farkas Jean-Baptiste Farkas’ artistic practice questions the notions and status of the artist, the artwork and the place of exhibition. He involves everyone in completing precise tasks that take the shape of services whose underlying objective is to upset the established order: put part of a habitat out of service, slow down the workflow or even tell lies. His collaborative projects are known under the names IKHÉA©SERVICES (1998), Glitch, Beaucoup plus de moins ! (2002) et PRACTICES IN REMOVE (2015). Books: IKHÉA©SERVICES, 68 pages de passages à l’acte !, Zédélé éditions, 2004. Glitch, Beaucoup plus de moins !, Zédélé éditions, 2006. Des modes d’emploi et des passages à l’acte, éditions MIX, Paris, 2010. Le Tournant Hostile, e-Publication, ABM Distribution, 2016. Retours d’usagers, éditions autrechose, 2016. On Words, In Deeds, english book, mfc – michèle didier, Bruxelles, 2017

En relation

Substraction Chronicles (10/12) - Salvaging Sunk Costs

Substraction Chronicles (12/12) - Empty

Substraction Chronicles (7/12) - A Taste for the Neutral

Substraction Chronicles (11/12) - Sold or Demolished

Substraction Chronicles (6/12) - When Music Loses its Notes

Liens externes

Switch (On Paper)

Auteurs

Jean-Baptiste Farkas Switch (on Paper)