18.10.25
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De juin à octobre, *Duuu organise des événements aux abords de son studio situé dans la Folie N4 au Parc de la Villette (Paris 19e)

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Dans un studio d’enregistrement, un poète derrière un micro-sur-pied entreprend de lire un texte qu’il tient entre ses mains. À ses côtés, derrière ses consoles, Chloé Thévenin l’enregistre pour mixer sa voix dans son son électro (ça donne system error_) - ou Jean-Michel Espitallier joue de la batterie (ça donne On Time).

Light turbulences est une oeuvre musicale produite et éditée par *Duuu, où la voix poétique de Jérôme Game joue de la puissance du sound-system et de celle, toute acoustique, des percussions, jusqu’à faire entendre que la langue, le texte, ne suffisent pas, et sont toujours plus forts de ce qu’ils ne sont pas, de ce qu’ils ne peuvent pas — le son pur, la musique.

À l’occasion de la sortie du vinyle Light Turbulences de Jérôme Game, cette soirée réunit lecture performée, concert, performance live et conversation autour d’un micro.

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CONVERSATION RADIOPHONIQUE - Thomas Corlin & Jérôme Game
RÉCIT(S) (mise en lecture de _systemerror) - Par Hubert Colas avec Jérôme Game & Thierry Raynaud
ON TIME (live) - Jérôme Game & Jean-Michel Espitallier
LE CHÂ (concert) - Lutèce Lockness

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📆 Samedi 18 octobre 2025
⏰ De 19h à 23h
☀️ Événement en plein air, ouvert et gratuit
📡 En direct et en réécoute sur www.duuuradio.fr
📌 Plan d'accès - Folie N4, Parc de la Villette

Ce programme est accessible aux visiteur.euses aveugles et malvoyant.es par l’intermédiaire du service Souffleurs d’Images. Contact : radio.duuu@gmail.com

Enregistrement : Mathias Dupaquier & Aurore Portales

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02.04.25
Radia Show 1044 : Sound That Doubt Takes By Mrtvo Rođena Živa Lešina / Radio Študent
Mrtvo Rođena Živa Lešina, Radio Študent
28'00"
Radia (1044)
Radia (1044)
02.04.25
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Radio Študent this time presents a sound collage “To kar zvok dvomu vzame / Sound that doubt takes” by Mrtvo Rođena Živa Lešina. MRŽL is an artistic performance that exists in the in-between spaces of poetry, music, and photography. It explores the fear of death—silenced in modern society—and how, through apathy and nihilism, one arrives at a creative process where anonymity becomes an integral part of identity.

Regarding this piece, they state the following: “Radio collage is a way of processing sound. It emerged out of necessity, due to the inaccessibility of smartphones and the internet. A push-button phone, which picks up radio signals and has the function of recording radio waves, serves as both a means of retrieving audio messages and an archive. The storage space is limited to 25 minutes of audio recordings before they are transferred to a larger archive, allowing the phone’s memory to be cleared for new recordings. The final composition is built from these recordings, using contrasts between them to reveal meanings that were previously hidden within their original contexts. The recordings range from 3 to 60 seconds in length. Each captures the most essential part of a song, an interview, or a news report. Only fragments of songs are recorded—preserving the emotions of the listening moment rather than the song itself. Similarly, in interviews, while a half-hour conversation may convey a great deal of information, it is equally important to capture the dynamics between the speakers. A ten-second clip can reveal moments of conflict and confrontation with another person’s thinking. With news, the understanding works in reverse. Short clips of current political affairs isolate pieces of information that might otherwise be lost in the flood of daily news—seemingly less urgent yet still significant.

By removing these fragments from their original context, archiving them, and reintroducing them in a new framework, the collage plays with the perceived relevance of information. What might seem trivial in one setting can carry weight in another. At the same time, it also exposes the emptiness of certain information—what in one context signifies authority, professionalism, or intelligence may, in another, reveal itself as mere empty rhetoric, a hollow interpretation of new laws and state actions.”

Radia.fm program by Radio Študent, curated by Urška Savič

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