Écouter sans les yeux - workshops et partage de pratiques
22.05.26
Écouter

Dans le cadre du programme Écouter sans les yeux, Élodie Lecat & Liza Maignan proposent un atelier intitulé Do you remember the last sound you heard before this question? (titre emprunté à Pauline Oliveros, extrait de Ear Piece, 1998).

Cet atelier propose de mettre à disposition des outils et un dispositif qui mobilisent la perception sonore et physique des participant.es. Liées par un intérêt commun pour les pratiques incluant la voix, l’oralité, le chant, la musique expérimentale, la poésie, il s’agit pour Liza & Élodie de créer des interactions à partir d’un ensemble de matériaux qu’elles manipulent chacune dans leurs pratiques - fragments textuels, différents types d’instruments et une pensée de l’orchestration qui leur est propre.

Formant un cercle, dos à dos, les participant·es utilisent les matériaux mis à leur disposition, ainsi que leurs voix, leurs mains, leurs pieds, pour réaliser trois actes d’improvisations collectives, dédiés successivement aux instruments, à la voix et aux gestes. L’orchestration passe par l’observation et l’écoute à la fois individuelle et collective, par l’utilisation du corps et des sens afin de former un “cercle opportun” (timely circle) - pour reprendre une formulation de Stuart Dempster, à propos du travail de Pauline Oliveros*.

La performance, diffusée en direct, est précédée d’un temps de préparation, d’écoute collective et d’échanges autour d’artistes et de références en lien avec l’atelier.

*Deep listening - A composer’s sound practice, éditions iUniverse, 2005

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À l’occasion de leur atelier Écouter sans les yeux, Liza Maignan & Elodie Lecat proposent un événement hors-série ouvert au public et retransmis en direct sur *Duuu le vendredi 22 mai 2026 👀

18h00 : Workshop « Do you remember the last sound you heard before this question? », un atelier qui proposera de mettre à disposition des outils et un dispositif qui mobilisera la perception sonore et physique des participant•es.

20h00 : Playlist sonore curatée par Liza Maignan & Elodie Lecat

20h30 : Performance live par Valentine Branca

21h30 : Projection en plein air du film « Four American Composer - Meredith Monk » (1983) par Peter Greenaway

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☀️ Événement en plein air, ouvert et gratuit
🍺 Bar sur place
📡 En direct et en réécoute sur www.duuuradio.fr
📌 Plan d’accès - Folie N4, La Villette : link: https://maps.app.goo.gl/UHtrRhRezvCmg5WUA

Enregistrement : Mathias Dupaquier & Matéo Cuin

Écouter
20.05.26
Radia Show #1103 : “Learning AI How To Dream” by Sebastian Dingens (Radio Campus Bruxelles)
Radio Campus Bruxelles
28'00"
Radia (1103)
Radia (1103)
20.05.26
Écouter

Dreaming is an essential activity in processing experiences and witnessed events. It helps us construct a sense of identity, reality and can (partly) help to process traumatic experiences.

Since AI is constantly confronted with the most violent content on the internet, the Sonic Research Kitchen thinks it is very important that we learn this new technology how to dream. How else can we expect it to process all the violence it encounters on the internet?

If we don’t act now, we’d better reserve the poor thing a spot on the waiting list for a decent psychotherapist.

This is our humble contribution in trying to learn AI to dream. With many thanks to the contributors who preferred to stay anonymous.

Yours truly,
Sebastian Dingens,
for the Sonic Research Kitchen.

About Sebastian Dingens

Sebastian Dingens plays around, and calls it research. He lets his mind drift and calls it improvisation. He makes drawings and calls them compositions. He turns knobs and calls it synthesis. He fiddles with recorded sounds and calls it radiophonic. But he is very serious about all of these things.

AI says that he works at the intersection of experimental music, listening practices, radio and sonic research.

He is fascinated by processes of geological erosion, processes of forgetting and the emergence of memories of never-lived experiences.

The truth, in the end, is one’s own perception of reality.

cardboard cartoon figures of board surfers on waves of distant ice ages publicity for pubic hair and wrinkled bellies
anorexic skeletons disguised as bones of dinosaurs
fascinating drawings of young children,

curiously smiling with white teeth of disillusion

In a state of introvert depression rage I go to war,
I go to fight my own anger
with the violence of my own blood
on the brown battlefield under a dessert of black clouds

I am seeing myself standing there
but I am looking inward with closed eyes
fatigued by useless attempts to stay human in a hopelessly sick world

there’s an impenetrable forest,
a forest inside myself
and inside this forest, there’s a clearing. I am standing there,
in the middle of the clearing
of the forest
inside of myself
there’s no animals moving about.. except for insects
small little insects
crawling around
with the speed of light
….
segmented legs
weird flies

a thousand faceted eyes
observe me
I feel their gaze piercing
my own
harnass
….

through bark and bush
there’s only a slow peculation of light
a glimmering reflection
of what used to be hope
seeps through the leaveless branches of berches pale bodied
their skinns inscribed with badly healed wounds as if this groove remembers
a wound I have not yet spoken

But if we change perspective ….

I am sitting in front of the open window my legs are a curtain
through the open window
I see a field of refined flowers wheeping, still in the wind

there’s a lot of berchtrees.
my skinn is waving
it is a waving curtain
my skinn is a curtain, waving in the wind ….

the waving enlightens in me a burning desire
the waving enlightens in me an inseasable desire …

and through the open window I see

cardboard cartoon figures of board surfers on waves of distant ice ages publicity for pubic hair and wrinkled bellies
anorexic skeletons disguised as bones of dinosaurs
fascinating drawings of young children,

curiously smiling with white teeth of disillusion

In a state of introvert depression rage I go to war,
I go to fight my own anger
with the violence of my own blood
on the brown battlefield under a dessert of black clouds

I am seeing myself standing there
but I am looking inward with closed eyes
fatigued by useless attempts to stay human in a hopelessly sick world

Radia show curated by Carine Demange for Radio Campus Bruxelles.

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