12.09.26
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L’Ours Blanc × *Duuu Radio × Circuit
Lectures et concerts

Samedi 12 septembre de 16h à 22h
Entrée libre

en direct sur *Duuu
et en public à CIRCUIT Centre d’art contemporain, Lausanne

avec
Sarah André, Cléa Chopard, Gilles Furtwängler,
Natacha Muslera, Christophe Rey, Cécile Sans
Sarah André, Gilles Furtwängler, Christophe Rey

événement en partenariat avec
L’Ours Blanc, revue littéraire, Genève et *Duuu Radio, Paris

Enregistrement et diffusion radio
Mathias Dupaquier

Soutien
Pro Helvetia. Fondation suisse pour la culture

Soutiens de CIRCUIT
Ville de Lausanne, État de Vaud, Loterie Romande, Profiducia Conseils SA, Fondation Casino Barrière Montreux

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09.10.25
Radia Show #1071 : Don Giovanni Metamorphosen Fragmente
Usmaradio
28'00"
Radia (1071)
Radia (1071)
09.10.25
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Radio version of the audiovisual performance

Don Giovanni is one of the archetypes of our culture, one of its founding myths. And myth is not an inert fable but an active, creative force, it nourishes, in a surprisingly circular way, the very culture that gave it life.
Over the course of four centuries, Don Giovanni has taken on - or disguised himself in - countless and extraordinarily varied forms.

With this audiovisual project, we seek to explore the recurring and often mutable archetype concealed beneath Mozart’s masterpiece, creating a performance that draws on a contemporary aesthetic and language. Mozart’s music itself undergoes metamorphosis, electronic, sampled and manipulated, from old vinyl records to acoustic renditions, serving as the foundation for literary “evocations” of Don Giovanni, from Tirso de Molina to José Saramago, from Molière to Baudelaire, Hoffmann, Kierkegaard, Byron, and many others. And, of course, the operatic libretto by Lorenzo Da Ponte.

The project includes readings, sung passages, and historical recordings of actors’ performances, a sound carousel that conjures the situations, characters, texts, and voices that have given life to the Don Giovanni myth across different historical periods, authors, and its continual metamorphoses. Whether invoking the unrepentant libertine or the punished sinner, the paradise of the senses, the complexity of human relationships, or the hell of damnation.

Paolo F. Bragaglia is an electronic composer born in an entirely analog world, who has stubbornly journeyed into our digital age. Ever fascinated by the metamorphosis of sound across genres, over the years he has expanded his interests toward the intersections between music and moving images, dance, architectural spaces, visual arts, spoken word, and theatre.

This has led to an intense career as a composer of film scores, soundtracks, and multimedia performances, alongside record production, sound art, and sound installations. He is the creator and artistic director of the electroacoustic music festival “Acusmatiq”, held for twenty years in Ancona at the Mole Vanvitelliana, and the founder and president of the Museo del Synth Marchigiano (Museum of the Marchigian Synth)

By Paolo F. Bragaglia
Damian Dombrowski, Chiara Pietroni: narrators
Ludovica Gasparri: soprano
A production of Mozartfest Würzburg
World premiere: June 21, 2019

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